My husband is a printmaker and has taught me a smidgen about viscosity printing. It involves using different viscosities of oil based ink in a monoprint or itaglio process in which the thickest inks act almost as a resist to the thinner inks. This may be completely wrong, but it is my blog and my memory so I am going with it.
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| The ochre shapes were screened first this is a close up of the center of the image below |
I have experienced a similar and very surprising aspect of this while working with MX dyes on silk. So for now at least I am thinking of this as "Viscosity Dyeing" I am working on a series of pieces that remind me of tapestries or persian carpets. This is close up from the center of the piece.
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54" square of tight twisted seersucker silk
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The ochre reminded me of the lush tightly knotted carpets and I was fascinated that it overpowered the blues and just shines right through. I am guessing that this is because the strongly mixed ochre has filled up all the dye sites. I liked the rug and border aspect so I have continued to explore this.
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